This page is part of the archive of the sound design exhibit for the 2016 SBTD Make Believe exhibition. The sound design exhibit was curated by Karen Lauke, and the website and kiosk version was developed by Patrick H. Lauke

Back to exhibit main page


ADRIENNE QUARTLY

ADRIENNE QUARTLY STUDIED ‘CELLO AND PIANO AND FOLLOWING A BSC. IN MUSIC AT CITY UNIVERSITY, BECAME A RADIO PRODUCER. LATER, AFTER GAINING AN MA (DISTINCTION) AT RCSSD, SHE BEGAN WORK AS A SOUND DESIGNER FOR THEATRE. HER WORK HAS APPEARED ALL OVER THE WORLD. SHE IS A REGULAR DESIGNER FOR TOLD BY AN IDIOT WITH PAUL HUNTER WHOSE SHOWS INCLUDE GHOST TRAIN, GET HAPPY, TOO CLEVER BY HALF, YOU CAN’T TAKE IT WITH YOU, AND THE HORSE YOU RODE IN ON AND EVERY LAST TRICK WITH SPYMONKEY. OTHER WORK INCLUDES INSIDE WAGNER’S HEAD, ROYAL OPERA HOUSE; FRÄULINE JULIE, BARBICAN/SCHAUBÜHNE, BERLIN; RINGS OF SATURN, COLOGNE; STOCKHOLM, FRANTIC ASSEMBLY; THE CONTAINER, THE SHAWL, YOUNG VIC; TALE OF TWO CITIES, BODY OF AN AMERICAN, ROYAL AND DERNGATE, NORTHAMPTON; GRAND GUIGNOL, SOUTHWARK; HORSE PISS FOR BLOOD, DRUM PLYMOUTH; IMPORTANCE OF BEING EARNEST (HONG KONG ARTS FESTIVAL); WOYZECK, ST. ANN’S WAREHOUSE, NEW YORK; THOMAS HOBBES/MARY SPINDLER, RSC; 365 NATIONAL THEATRE OF SCOTLAND; LUNGS, PAINES PLOUGH; 93.2 ROYAL COURT; THE FASTEST CLOCK, HAMPSTEAD; FAUSTUS, THE SCHOOL FOR SCANDAL, VOLPONE AND THE DUCHESS OF MALFI (STAGE ON SCREEN).


FAUSTUS

GREENWICH THEATRE FOR STAGE ON SCREEN

DIRECTOR: ELIZABETH FREESTONE

DESIGNER: NEIL IRISH

LIGHTING DESIGN: WAYNE DOWDESWELL

SOUND DESIGNER AND COMPOSER: ADRIENNE QUARTLY

CHOREOGRAPHY AND ADDITIONAL SONGS: STEWART ANGELL


HORSE PISS FOR BLOOD

BY CARL GROSE

HORSE PISS FOR BLOOD PERFORMED AT THE DRUM THEATRE, PLYMOUTH 23 FEBRUARY UNTIL SATURDAY 10 MARCH, 2012 DIRECTED BY THEATRE ROYAL ARTISTIC DIRECTOR SIMON STOKES.

DIRECTOR: SIMON STOKES

SET DESIGN: FRANCES O’CONNOR

LIGHTING DESIGN: COLIN GRENFELL

SOUND DESIGN: ADRIENNE QUARTLY